very honest: "a judgment of the book rendered with the Iulch of
Herr Schnitzler's vizardry fast upon the mind, is quite a different
matter. Then all petty questions of verisimilitude disappear under
the touch of his faultless 18xterity in story telling. The reador
finds himself ready to believe anything, no matter how absurd,
which this master narrative wishes to present.” The left method
with its almost breath-taking effect is one quality never lenied.
The story was also the thence of a talk broadoast on July 7,I926
by Professor G. A. Smithson over Station KLX, Gakland, Galifornia.
B. None but the brave
When Kone but the brave appeared a little later that year it
was failed as a masterpiece in interior dialecte, a Srchnique
made oslebrated by Fräulein Else. The story was occasionally com-
pared with Doctor Graesler and was frequently compared with
Fraulein else, which already at that time had the largest America
Sale of any of Schnitzler's works. "Fraulein Else and None but the
Brave contain the essence of drama without dramatic form, (1)
according to Frank H. Pettee. Walter Yust declared "Herr Schnitzler
is an Saamilv aecurate peporter. He follows the flow of human
consciousness - tortuous stream, which runs never on a level but
up and down and obliquely and on dege and halts and rushes for-
ward again - with the preciseness of a lword dancer evading the
sharp points of blades. And he created personality;" (2)
"The new Schnitzler story has no sex appeal.
F. D. Smith declared.
It Secres Schnitzler can diagnose masculine lvainy as remorsely
as feminine passion. Schnitzler has Bvolved and made his own a
method of story telling unsurpassed in swiftness, directness and
realistic effectiveness.” (3) He adds too that, though "in re-
capitulation the content appears rapid it is because the action is
entirely subjective.” Extracts from other reviews read as follows:
"Schnitzler's monologue Carrages to tell us more than many a bulky
novel;" (4) "Arthur Schnitzler cuts away the surface of things
and reveals a sorry show beneath. He has the sure, swift instruct
of a surgeon for the exact spot of weakness and whame. Yet he is
never callous!" (5) "The book is a masterpiece of venomed hatred.
=========
111. ). Nov. 19, l926.
1. ) Evening Post (Chicago
Literary Review. Sept. 25,fa-1926, p4.
evening Post
Neuw
2. )
läws (Dallas, Texas), Jan. 2. 1927.
3.
2. Oet. 6. c. 926, xLVIII, 201.
opub
4a)
es, Oot. 24,I926, p 29.
5.) New
Herr Schnitzler's vizardry fast upon the mind, is quite a different
matter. Then all petty questions of verisimilitude disappear under
the touch of his faultless 18xterity in story telling. The reador
finds himself ready to believe anything, no matter how absurd,
which this master narrative wishes to present.” The left method
with its almost breath-taking effect is one quality never lenied.
The story was also the thence of a talk broadoast on July 7,I926
by Professor G. A. Smithson over Station KLX, Gakland, Galifornia.
B. None but the brave
When Kone but the brave appeared a little later that year it
was failed as a masterpiece in interior dialecte, a Srchnique
made oslebrated by Fräulein Else. The story was occasionally com-
pared with Doctor Graesler and was frequently compared with
Fraulein else, which already at that time had the largest America
Sale of any of Schnitzler's works. "Fraulein Else and None but the
Brave contain the essence of drama without dramatic form, (1)
according to Frank H. Pettee. Walter Yust declared "Herr Schnitzler
is an Saamilv aecurate peporter. He follows the flow of human
consciousness - tortuous stream, which runs never on a level but
up and down and obliquely and on dege and halts and rushes for-
ward again - with the preciseness of a lword dancer evading the
sharp points of blades. And he created personality;" (2)
"The new Schnitzler story has no sex appeal.
F. D. Smith declared.
It Secres Schnitzler can diagnose masculine lvainy as remorsely
as feminine passion. Schnitzler has Bvolved and made his own a
method of story telling unsurpassed in swiftness, directness and
realistic effectiveness.” (3) He adds too that, though "in re-
capitulation the content appears rapid it is because the action is
entirely subjective.” Extracts from other reviews read as follows:
"Schnitzler's monologue Carrages to tell us more than many a bulky
novel;" (4) "Arthur Schnitzler cuts away the surface of things
and reveals a sorry show beneath. He has the sure, swift instruct
of a surgeon for the exact spot of weakness and whame. Yet he is
never callous!" (5) "The book is a masterpiece of venomed hatred.
=========
111. ). Nov. 19, l926.
1. ) Evening Post (Chicago
Literary Review. Sept. 25,fa-1926, p4.
evening Post
Neuw
2. )
läws (Dallas, Texas), Jan. 2. 1927.
3.
2. Oet. 6. c. 926, xLVIII, 201.
opub
4a)
es, Oot. 24,I926, p 29.
5.) New